Greatest Will Ferrell Movies of All Time
Get Hard or The Other Guys
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Why This Battle Matters
Imagine a face-off where mismatched police partners meet prison-bound millionaires. In the ring, it's The Other Guys versus Get Hard, a showdown that's less about cops and robbers and more about slashing through comedic conventions. The Other Guys, with its clever twists on buddy cop tropes, contrasts sharply with Get Hard's brash, boundary-pushing humor. What's at stake here? This isn't just about which film makes us laugh harder; it's a battle for which brand of humor reigns supreme in the Will Ferrell universe. Will you champion the clever underdog or the bold disruptor?
🔥 Fan Takes
How Fans Are Voting
In this battle:
Fans currently prefer The Other Guys over Get Hard when it comes to the greatest Will Ferrell Movies of all time. In head-to-head matchups, fans pick The Other Guys 75.0% of the time over Get Hard.
Across all battles:
The Other Guys win rate: 26.3%
Get Hard win rate: 21.2%
Fan FAQs
What makes Get Hard so popular among fans?
Get Hard hooks fans with its bold humor and the way it handles delicate themes with a comedic touch. The pairing of Will Ferrell with Kevin Hart brings out a riotous side of Ferrell that complements Hart's energetic style, making it a standout for those who enjoy comedy with a bit of edge.
What's the special appeal of The Other Guys?
Fans can't get enough of The Other Guys because of its perfect blend of action and comedy. The absurdity of Ferrell's character paired with Mark Wahlberg's straight-man antics creates a hilarious contrast that's memorable and quote-worthy. It's also praised for redefining buddy cop films with a comedic twist.
Why is the matchup between The Other Guys and Get Hard so evenly split?
It's neck and neck because each movie offers a unique flavor of Will Ferrell's comedy. Fans of The Other Guys adore the dynamic between Ferrell and Wahlberg, their unexpected antics really winning over audiences. Meanwhile, Get Hard has its own following, thanks to the chemistry between Ferrell and Hart, and its take on cultural satire.