Greatest Movie Final Shots of All Time - Psycho (1960) or The Searchers

What does it really mean to be haunted? In this corner, the chilling final frame of 'Psycho' (1960), where the blending of Norman Bates’ grin with his mother’s skull teases the unresolved specters of identity and madness. Across the ring, 'The Searchers' leaves us with John Wayne’s lonely silhouette framed in a doorway, a symbol of eternal isolation and the relentless pursuit of an ideal. This battle is more than just about cinematic craftsmanship; it's a face-off between the grotesque hidden behind familiarity and the poignant solitude of the outsider. Which image captures your imagination more vividly? Which lingering shot tells the story that resonates deeper with the ethos of our times?